{Seminar} Intercultural Musicking

15 April 4.30-6.00pm (UK time) Intercultural Musicking: Ensemble Performance, (Inter)Cultural Encounters, and Personal/Professional Transformations This session features members of our Intercultural Musicking core research area. Professor Caroline Bithell, Dr Robert Szymanek, Dr Richard Fay and Dan Mawson will offer short, complementary research papers exploring intercultural music-making, followed by invited responses and discussion. The department’s gamelan and klezmer ensembles (led by […]

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{Conceptualising} Intercultural Personhood

Introduction (by Zhuo ‘Min’ Huang) The concept Intercultural personhood was first coined by Kim (2008, 2015) in her work of the globalised way of being. I have adopted the concept and further expanded it in my doctoral study (Huang, 2019) and in my on-going work (e.g. Huang, 2020) about ‘intercultural personhood: an non-essentialist conception of individuals for intercultural research‘). My […]

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{CONCEPTUALISING} Intercultural Musicking … appropriate versus appropriative methodology

As many of you will know, for the last decade I have been teaching World Music Ensemble Performance (klezmer) – WMEP-klezmer for short – in our Music Department. I have a musical self (website) in addition to my TESOL and Intercultural Communication/Education academic roles. WMEP-klezmer is an area of my professional practice that has its conceptual underpinnings and its research […]

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